Sometimes we work with seemingly impossible situations. Sometimes the plot-lines of our environments would not pass muster in a T.V. series or movie; we just wouldn’t find it plausible. Why isn’t that situation being dealt with? Why are the scriptwriters ignoring these events and themes, or why is the glaringly obvious glided over? This is a chance to work with those situations, without being in fight or flight mode. Indeed, you may want to bring the fight into the foreground and work it to its conclusion. And the same goes for flight. How can we work through impossible situations in fiction rather than turning our feelings into felonies.

Sometimes we work with seemingly impossible situations. Sometimes the plot-lines of our environments would not pass muster in a T.V. series or movie; we just wouldn’t find it plausible. Why isn’t that situation being dealt with? Why are the scriptwriters ignoring these events and themes, or why is the glaringly obvious glided over? This is a chance to work with those situations, without being in fight or flight mode. Indeed, you may want to bring the fight into the foreground and work it to its conclusion. And the same goes for flight. How can we work through impossible situations in fiction rather than turning our feelings into felonies.