Sometimes we work with seemingly impossible situations. Sometimes the plot-lines of our environments would not pass muster in a T.V. series or movie; we just wouldn’t find it plausible. Why isn’t that situation being dealt with? Why are the scriptwriters ignoring these events and themes, or why is the glaringly obvious glided over? This is a chance to work with those situations, without being in fight or flight mode. Indeed, you may want to bring the fight into the foreground and work it to its conclusion. And the same goes for flight. How can we work through impossible situations in fiction rather than turning our feelings into felonies.

Warm Welcome to Circus BA Degree Presentations!

Sometimes we work with seemingly impossible situations. Sometimes the plot-lines of our environments would not pass muster in a T.V. series or movie; we just wouldn’t find it plausible. Why isn’t that situation being dealt with? Why are the scriptwriters ignoring these events and themes, or why is the glaringly obvious glided over? This is a chance to work with those situations, without being in fight or flight mode. Indeed, you may want to bring the fight into the foreground and work it to its conclusion. And the same goes for flight. How can we work through impossible situations in fiction rather than turning our feelings into felonies.

Welcome to a Wednesday Seminar that explores sonic agency, collective authorship, and shared responsibility in artistic practice. Through a Long Table discussion hosted by sound artist and artistic researcher Carolina Jinde, we will listen, discuss, and think together about how sound and listening can open new ways of working collectively in film and art-making.

Johannes Maria Schmits Public disputation

Johannes Maria Schmit’s Public defence

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The Heart of the Experiment (and the art of failure) – SKHs Vice Rector for Research, Anne Gry Haugland, in conversation with Assistant Professor Alexander Skantze and PhD student Marcia Nemer about their contributions to the upcoming issue of VIS